Djuna Barnes documents:This collection is ready to accept the general public and can be used within the Unique Collections reading room

Djuna Barnes documents:This collection is ready to accept the general public and can be used within the Unique Collections reading room

Utilize and Use Of Collection

Scientists must register and consent to copyright and privacy rules before making use of this collection.

As a result of the condition regarding the collection, users will access the microfilm surrogate for Series I-IV. Authorization to look at the papers that are original be submitted to Special Collections and University Archives prior to your see. Initial artwork pay for research paper in Series VIII are delicate and tend to be consulted just by visit.

Duplication and Copyright Information

Photocopies or surrogates that are digital be supplied relative to Special Collections and University Archives duplication policy.

Copyright resides aided by the creators associated with papers or their heirs unless otherwise specified. It’s the researcher’s duty to secure authorization to create materials through the appropriate copyright owner.

Inquiries about authorization to write the works of Djuna Barnes must certanly be directed to your Authors League Fund, 155 liquid Street, #206, Brooklyn, NY 11201 Tel: 212-268-1208, Fax: 212-564-5363 e-mail:

Archival materials may include materials with delicate or private information that is protected under federal and/or state right to privacy laws and regulations or other laws. Although we make a great faith effort to spot and eliminate such materials, some could be missed during our processing. In case a researcher discovers delicate information that is personal a collection, please take it to your attention associated with the reading space staff.

102.00 Linear Feet

Extra Description

Scope and Information of Collection

Noted journalist and author that is avant-garde Barnes was created in Cornwall-on-Hudson, nyc, on June 12, 1892, the next son or daughter and just child of Wald and Elizabeth Chappell Barnes. Barnes learned art during the Pratt Institute (1912-1913) as well as the creative Art scholar’s League of the latest York (1915-1916).

In 1913, she started being employed as a freelance journalist and illustrator when it comes to Brooklyn frequent Eagle and ended up being quickly writing and illustrating features and interviews when it comes to ny Morning Telegraph , this new York Press , additionally the ny Sun , among other magazines. During this time period, she became active in the bohemian creative milieu of Greenwich Village. She penned poetry ( The Book of Repulsive Women , published in 1915) and several plays that are short”Three From our planet,”? “Kurzy associated with water,” and “An Irish Triangle”), that have been created by the Provincetown Players in 1919 and 1920.

In 1921, Barnes travelled to European countries, then invested the vast majority of the second two decades in England and France. She had written features and interviews for Vanity Fair , McCall’s , Charm , and Smart Set , a column that is regular Theatre Guild Magazine , and poems and tales for literary mags such as for instance Dial , change , and Transatlantic Review . Her book-length writings in this period include an accumulation of her quick tales, performs, and poems, A Book (1923) , that was revised and republished in 1929 as per night one of the Horses , the Ladies that is satirical Almanack1928), and two novels, Ryder (1928) and Nightwood (1936). Regarded by most critics as her masterpiece, Nightwood ended up being affected by Barnes’s event with Thelma Wood. The novel had been written beneath the patronage of Peggy Guggenheim and championed by T. S. Eliot, Barnes’s editor at Faber and Faber.

In October 1939, Barnes came back to the usa, and, in September 1940, she relocated into a condo at 5 Patchin devote Greenwich Village, where she res >The Antiphon (1958), that was manufactured in Sweden in 1961 in a variation co-translated by us’ secretary Dag Hammarskjold. Another assortment of her stories that are short Spillway , had been posted in 1962, the season for which Selected Works ( Spillway , The Antiphon , and Nightwood ), showed up. Throughout the 1960s and 1970s, Barnes additionally had written poetry that is much though little had been posted. Her last work ended up being the verse menagerie Creatures within an Alphabet (1982). Barnes passed away in new york on 18, 1982, at the age of ninety june.


Custodial History and Acquisition Information

Location and existence of Copies

Associated Material

Materials pertaining to the Papers of Djuna Barnes held collections that are special the Barnes Family Papers, the Papers of Saxon Barnes, the Papers of Elsa von Freytag-Loringhoven, the Papers of James Stern, the Irwin Cohen Collection, the Papers of Phillip Herring, the Chester Page Collection, the Papers of Andrew Field, plus the Papers of Frances McCullough. an uniqure recording of barnes reading through The Antiphon , created by Chester web Page in April 1971and acquired aided by the McCullough documents, is present at Crucial communication of Barnes with Emily Coleman is within the Emily Holmes Coleman Papers in the University of Delaware Library, Newark, Delaware.

The Rare Books Department has responsibility that is curatorial the part of Barnes’s individual collection that was obtained together with her documents. The Barnes’s library contains over 1100 games and it is available through the University of Maryland Libraries’ online catalog. Please see the description in Series 9: Library to find out more.

Processing Information

The Barnes papers have been processed numerous times in largely piecemeal fashion since its acquisition by the University of Maryland. Into the springtime of 1996, all the collection except the photographs and art underwent major reprocessing. This work included making a series that is new of and private documents and merging the 2 alphabetical runs of correspondence. Materials previously into the “Typescripts, web page proofs, scripts,” “Publications,” and “Appendix B: Laminated Papers” were brought together into a single “Writings” series. Other work included integrating the addenda that is unprocessed of collection (previously “Appendix A”) into current show and combining the “Clippings,” “Pamphlets,” and far associated with “Miscellaneous” series into an individual “Printed Matter” series. In Fall 1996, a brand new show, “Serial Publications,” is made. “Book Catalogs” formerly found underneath the “Printed Matter” series were relocated into “Serial magazines.”

In 1998, the remaining of unprocessed products had been incorporated into the collection. Additionally, the art and photograph appendices had been changed to show and renumbered and rearranged as necessary. Part VI, Cards, and Section VII, Printing Blocks, had been put into the creative art show. The Barnes pen and ink drawings donated in 1997 had been also included to the creative art show. In November 2000, products obtained from the dealer had been incorporated into the collection.

In 2001, preparations to microfilm the first four series of the collection began, including some reprocessing july. Significant time had been dedicated to dating formerly undated materials and reorganizing the materials properly. In Series II, Correspondence, there clearly was a file that is general each page of this alphabet that included communication from numerous indiv >Djuna Barnes: A Bibliography (Rhinebeck, N.Y.: D. Lewis, 1975).

The arrangement of Series IV, Printed situation, was discarded as of this time; “On Barnes” became “About Barnes”; “On Barnes’s Writings” has become titled “About Barnes’s Writings”; and “On people” and “Other” were combined to create “Collected by Barnes.” Products within six for the eight “miscellaneous” folders had been grouped together under headings, such as for instance book reviews and wellness, and arranged alphabetically under “Collected by Barnes.” In addition, English translations of articles had been reunited using their language originals.

An endeavor had been meant to bring some purchase to Barnes’s poetry. Whenever possible, materials within each folder had been put into chronological purchase, and fragments based in “Poems, Fragments” that have been perhaps maybe perhaps not poetry-related had been relocated to “Notes, Miscellaneous fragments.” Many significantly, the poems in “Early Poems” had been partioned into specific folder by title and incorporated into the alphabetical schema for the show.

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